Hachisuka Daimyō Patronage

The title of this short article is not really catchy, but I didn’t want to say “yet another interesting blade” again. In any case, what got the ball rolling, if you will, is the blade shown in picture 1 below, a wakizashi made by a little known local swordsmith, but more on this later, because as always, I would like to start with some historical background.

Picture 1: Wakizashi, mei: Ishikawa Masanao saku (石川正直作), kinzōgan-mei: Horie Okinari + kaō (堀江興成「花押」). Nagasa 40.0 cm, sori 1.2 cm.

For a better understanding of the context, we have to go back to the summer of Hōreki four (宝暦, 1754). Hachisuka Yoshihisa (蜂須賀至央, 1737–1754), then only 17 years old and holding the office of ninth Daimyō of the Tokushima fief (徳島藩) in Awa province on Shikoku for less than two months, was about to die. As he had no son yet, he adopted on his deathbed Satake Yoshisue (佐竹義居, 1738–1801), the fourth son of the Daimyō of the quite distant Iwasaki fief (岩崎藩) in Dewa province, Satake Yoshimichi (佐竹義道, 1701–1765) (Picture 2). So, Yoshisue found himself as newly fledged Daimyō being himself only 16 years old (or 17, according to the then Japanese way of counting one’s age), adopting the name Hachisuka Masatane (蜂須賀政胤). All this took place in Edo, not in Awa province, which Yoshisue/Masatane visited for the first time in the fourth month of Hōreki five (1755) after having his genpuku ceremony and having changed his name one last time to Hachisuka Shigeyoshi (蜂須賀重喜) (Picture 3).

Picture 2: Map with relevant places.

Shigeyoshi entered his rule at a time when after the affluent Genroku era (元禄, 1688–1704), the Shōgunate and most of the fiefs realized they had to tighten their belts. With the eighth Tokugawa Shōgun Yoshimune (徳川吉宗, 1684–1751) at the forefront, it was a time of widespread reforms all across the country. Accordingly, also Shigeyoshi wanted to improve the financial situation of his fief. He initiated a barrage of measures, with one of them being the patronage of the arts and crafts in order to stimulate his economy.“Good for us,” Shigeyoshi had a fondness for swords and sword fittings. So, what he did was sending some of his most promising swordsmiths to Edo to study with masters like Suishinshi Masahide (水心子正秀, 1750–1825) and Ozaki Suketaka (尾崎助隆, 1753–1805), one of them being the maker of the blade in question shown in picture 1, Ishikawa Masanao (石川正直).

Picture 3: Hachisuka Shigeyoshi.

Masanao had made said blade after his stay with Suishinshi Masahide and had presented it to his Daimyō Shigeyoshi, who is said to have cherished it a lot. I also want to point out a nice little detail: The dragon horimono on the omote side of the blade bears centrally the encircled swastika crest of the Hachisuka family (Picture 4, left). Also, it is safe to assume that Masanao had engraved the horimono himself as a gassaku (joint work) between him and his father (or older brother, depending on the source) Ishikawa Masamori (石川正守) exists, which is inscribed: “Ashū Ishikawa Masamori tsukuru – Kansei jūnen nigatsu hi, Ishikawa Masanao horu” (阿州石川正守造・寛政十年二月日、石川正直彫) – “Made by Ishikawa Masamori from Awa province on a day of the second month Kansei ten (1798), engraved by Ishikawa Masanao” (Picture 4, right).

Picture 4

All that said, what caught my attention with this blade is the fact that it bears the kinzōgan-mei “Horie Okinari + kaō” (堀江興成「花押」). Some of you might have heard this name as Horie Okinari (?–1844?) was a famous Kinkō master, who had trained with Hamano Shōzui (浜野政随, 1696–1769), with the Ōmori (大森) School, and with Ozaki Naomasa (尾崎直政, 1732–1782). What ties everything together is that Okinari was also employed by the Hachisuka family, as part of said patronage in order to stimulate the economy of the Tokushima fief. Even if Shigeyoshi was removed from power relatively early in his rule, more on this in a second, I tend to think that Okinari was hired by Shigeyoshi himself. Reason for this assumption is that Shigeyoshi gifted the very blade introduced in this article at some point to Okinari, who is said to have inlaid his name and monogram in gold on the tang himself. Or, the gift came later by the retired Shigeyoshi as a reward for the longstanding service Okinari provided for the fief.

Anyhow, we have here another case where a sword (or a sword fitting) can unravel so much historical context, if you dig. Research of this kind, and provenance research in general, is a part of my service that I really enjoy, and I encourage everyone who has a Japanese arms and armor object that is engraved/inscribed with a name to dig, and I don’t say that as a shameless business plug!

All that said, I would like to conclude with narrating the remainder of Hachisuke Shigeyoshi’s life. As indicated, he was removed from power, and that was in Meiwa six (明和, 1769) after 15 years into his tenure as a Daimyō and on orders of the Shōgunate, which forced him to retire, as it was of the opinion that his fief reform measures were not as successful as desired. So, the year after his removal from office, Shigeyoshi moved back to Edo, but returned once again to Tokushima in An’ei two (安永, 1773) for a medical treatment. After recovering, however, he lived quite the high live down on Shikoku, which once again upset the Shōgunate, which wanted him to come back to Edo to live in house arrest in the Edo residence of the Tokushima fief to enable a more effective Bakufu supervision. Well, Shigeyoshi was able to avoid that by moving to a different local residence in Awa province, where he eventually died in Kyōwa one (享和, 1801) at the age of 64.

Last but not least, I wanted to add that Shigeyoshi was also “otherwise” quite active. He had 16 sons and 14 daughters with his wife Tsutehime (伝姫 , 1737–1802) and with his concubines, of which there were at least four.

Easter eBook Super Sale

Once again, it goes directly via me (i.e. I’m not going to manually change all the prices on Lulu.com and then change them back when the sale is over). I provide a list of all my eBooks below, showing the regular and the reduced prices. I also linked them so that you can check what the description says but again, DO NOT buy over there at Lulu.com this time. Get in touch with me via “markus.sesko@gmail.com” and pay me directly, either by PayPal using the very same email address, by check, or by credit card using the donate button at the very bottom of this page, and I’m going to send you over the eBook. And anyway, if you gave a question, just drop me a mail.

Thank you for your attention!

Akasaka Tanko Roku ….. $8.90 – $4.50
Encyclopedia of Japanese Swords ….. $24.90 – $12.50
Geneaogies and Schools of Japanese Swordsmiths ….. $19.90 – $10
Genealogies of Japanese Toso Kinko Artists ….. $19,90 – $10
Identifying Japanese Cursive Script ….. $14.90 – $7.50
Identifying Japanese Seal Script ….. $14.90 – $7.50
Japan’s Most Important Sword Fittings ….. $14.90 – $7.50
Jukken ….. $14.90 – $7.50
Kano Natsuo I ….. $59.90 – $30
Kano Natsuo II ….. $59.90 – $30
Kantei Reference Book – Hamon & Boshi ….. $19.90 – $10
Koshirae – Japanese Sword Mountings ….. $19.90 – $10
Koshirae Taikan ….. $59.90 – $30
Koto Kantei Zenshu ….. $89.90 – $45
Koto Meikan ….. $39.90 – $20
Legends and Stories Around the Japanese Sword ….. $9.90 – $5
Legends and Stories Around the Japanese Sword 2 ….. $9.90 – $5
Masamune ….. $29.90 – $15
Masters of Keicho Shinto ….. $19.90 – $10
Nihon-koto-shi ….. $29.90 – $15
Nihon-shinto-shi ….. $29.90 – $15
Nihon-shinshinto-shi ….. $29.90 – $15
Shinshinto Meikan ….. $29.90 – $15
Shinto Meikan ….. $29.90 – $15
Shinto Shinshinto Kantei Zenshu ….. $89.90 – $45
Signatures of Japanese Sword Fittings Artists ….. $89.90 – $45
Soken Kinko Zufu ….. $9.90 – $5
Swordsmiths of Japan ….. $89.90 – $45
Tameshigiri ….. $29.90 – $15
The Honami Family ….. $19.90 – $10
The Japanese Toso Kinko Schools ….. $24.90 – $12.50

German Titles:

Die Honami Familie ….. $19.90 – $10
Geschichten rund ums japanische Schwert ….. $9.90 – $5
Geschichten rund ums japanische Schwert 2 ….. $9.90 – $5
Koto Kantei Zenshu ….. $89.90 – $45
Nihon-shinto-shi ….. $29.90 – $15
Nihon-shinshinto-shi ….. $29.90 – $15
Shinto Shinshinto Kantei Zenshu ….. $89.90 – $45

Fake Satō Kanzan Sayagaki

Whilst scanning some things, I found this interesting PSA in No. 42 of the NBTHK Tōken Bijutsu magazine (November, 1956). Therein, then 49-years-old Satō Kanzan (佐藤寒山, 1907–1987) is warning readers about fake sayagaki of his making the rounds. I thought it might be of interest, so I translated that announcement:

“It seems that I have a bit of a tendency of writing too many sayagaki. I have a bad habit of doing them whenever someone asks, and since my handwriting is easy for others to imitate, I have been seeing a lot of fake sayagaki of mine in various places recently. People have long warned me that there are false sayagaki out there, and to be cautious, but no matter how careful I am, there is no way for me to stop those who forge sayagaki in my name.

This is not about me per se, but it causes great trouble for those who trust me, people who end up buying something without realizing it’s a forgery. For example, I have been told that a certain Mr. Itsutsuji (五辻) boldly wrote a sayagaki in front of a crowd and signed it with “Kanzan.” Apparently, some people who didn’t know better even thought that this Mr. Itsutsuji was actually “me.” While my (art name) is registered in the field of art history, unlike a trademark, a isn’t something that legally prevents others from using it if they so choose.

In any case, writing big name sayagaki on inferior items is a malicious tactic. I ask that you please not rely solely on sayagaki, but instead carefully examine the blade itself and the signature (mei) before making a purchase. As for me, I will do my best to refrain from writing sayagaki for the time being. Please join me in trying to eliminate these unscrupulous individuals.”